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Communiqu​é​s

by ABEARICA

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1.
Envision yourself as someone else, another place Another pace in steps, left in a wake, now take… A look back at that life, at that day-to-day And that nice, comfortable, and straightforward way And think back to every single pinprick and pain That made you, stays true to this very day And think what it takes to be stressless and say That the same pain you suffer you won't deflect the same To some other in need of the same shit you claim And tell me, when you’re there you won't act the same That you'll recognize the pain and give more out to gain While staying plush in much lux and avoid any blame Will you pervade the same game that those you hate will frame As those who deserve must have the nerve to claim? This is the same damn frame of mind that invades Every man that once was just an ass to be made This is in the same vein as “hate the game, not the player” This game of played players, pied pipers, soothsayers Not this emcee that empties his soul onto layers Of instrumentals and begs you for more than you made Of a simple rhyme timed in four-four beats by the line That you can't even read, you just feel it, aiiight?” Yes, and nothing to stress, but who's next to molest When you flex muscle to debt, really who gets the best? Next to fall in line in soup lines as you pine For the McMansion, McBordered by McProperty lines It's the approximate time for the end, so let's send You off with a fluff and a new virus for your friend Halted against the shade of a last hill They fed, were at ease and, finding Comfortable chests and knees, carelessly slept But many there stood still To face the stark blank sky beyond the ridge Knowing their feet had come to the end of the world
2.
All I need are hustlers. None of you busters: none of you that lust the money and luster. Who will be there for poetry slams in prison facilities, inspire, set fire, expire hostilities? Who will cease to insist that nothing's as real as the grip of steel and the release of homo-erotic hollow tips? I'm hedging all bets with stacks of chips, the metaphorical kind you cop from these lips, it's the converted covert that makes your dome hurt from processing the poetry this metro blurts, this is just a short work made in the basement, bass mentality so real you can taste it, the basics are in this, elements are evident where this politan exhibits the intricate so relish it, like a mustard sting in your nose, these prose are shaper than bows, expose you to yourself like imploded lobes Cleverish, devilish, absurdist propaganda That flips you for real like a usual suspect and it's Hotter than raw sex when you put it in context Of fucking you mentally, knock you up with some sense So how absurd can it be when I'm spitting? Am I wrong or confused? Someone give me religion Or I'll play the lottery and hold faith in the system One day it will all pay off if I listen My producer on this is a card carrying socialist, works only with leftists and only those he’s close with and so I'm privileged to spit on this, put my stamp with his amp on this and camp in the basement and plan our underhandedness. The next evasive action is to subvert the fascists and practice the mastery of informing the masses, without the crushing weight of censorship by the right-wing's monopoly on communication partnerships that will broadcast misogyny, hegemony, and status qou cacophonies, but will not recognize legitimate philosophies. It's absolute hypocrisy as they claim liberalism. Show me a liberal and I'll show you the killer in them. They'll give a little bit more to the poor to keep most of it and side with the right when state of war has been posted. It's a simple debate on whose rules you should follow: your own or some cocksucker telling you how to swallow.
3.
The Shaman 03:16
A whisper That's what it was Nothing more than one word slipped from the lips of a Former lover One word To put me into the trance of all trances One moment to make me throw the bones and read the Future Sticks scratching on dirt floors, drawing my circle Pounding dust I mark my entry And with one loud clap dropped the bones and watched Them scatter Taking formation they present themselves in patterns Only known by the proverbs they represent Breathing deep Inhaling saged air The rhythm of my heart and breath in sync creating the Drum that is my spirit Lost in trance known only to those who have walked Before me I will mark my face in blood And wear my scars like a shield Closing my eyes I lift the bowl in front of me And drop three dashes of water on the bone formation One for each of the rivers in Africa I sprinkle dirt on top of the water One for each of the mountains in Siberia The pounding in my chest quickens A new song is being born I lift my hands in gratitude And sway to the rhythm of the drum Pounding feet against earth my hands clap One moment One word being presented to me "Remember" To bring me to my knees Memory has a distinct taste Kind of like red but softer And that moment turns into two Sitting in a room surrounded by dust and bone One moment surrounded by his sheets Pulses quicken Bodies shiver Clap Bones hit dirt forming past, present, and future Candles burn Sage thickens I know he's gone, went to the other side One hit, one flutter And it was done The Past Saging his body Lighting candles Carrying him to his grave surrounded by leaves And in that moment he spoke One whispered word that sent me straight into oblivion That moment he gave me the key to everything
4.
Bent double, like old beggars under sacks Knock-kneed, coughing like hags, we cursed through sludge Till on the haunting flares we turned our backs And towards our distant rest began to trudge Men marched asleep. Many had lost their boots But limped on, blood-shod. All went lame, all blind Drunk with fatigue; deaf even to the hoots Of gas-shells dropping softly behind Gas! Gas! Quick, boys! An ecstasy of fumbling Fitting the clumsy helmets just in time But someone still was yelling out and stumbling And flound'ring like a man in fire or lime— Dim through the misty panes and thick green light As under a green sea, I saw him drowning In all my dreams before my helpless sight He plunges at me, guttering, choking, drowning So do not tell with such high zest To children ardent for some desperate glory The old lie. The old lie. The old lie. The old lie. The old lie. The old lie. Dulce et decorum est Pro patria mori. If in some smothering dreams, you too could pace Behind the wagon that we flung him in And watch the white eyes writhing in his face His hanging face, like a devil's sick of sin If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs Bitter as the cud Of vile, incurable sores on innocent tongues
5.
Live poor, die poor, this is what you fight for My war, I want more, show me what you would die for My sons, nice ones married into wives' sums Now guns make funds, take none of my grandsons Handsome, prancing through their lives and dancing On your dirty graves for your bravery advancing Last things, last words, nothing for you bastards Past is dead and the memories don't last You're just one number added to another, but The other's too much for us to really bother with Last month's pay gets docked for when you swallowed it We'll tell your family that we're very, very sorry that You won't be coming back from a war that we regret To send them the news on behalf of the department That their son is stuffed in a compartment You're not without a letter from the President You're just part of this killing machine Replaceable, tastefully snuffed out from the scene You joined in a change at an American dream Dreams sell and we'll tell you any mother-fucking thing You aspire for more, what are you waiting for? We'll give you college money and worldwide tour Pour buckets of that money into companies that want it They'll strap you with the best vests and guns, but keep the wallets Peep the science, lingo learned from the violence Our greatest commodity is all you people dying Live poor, die poor, this is what you fight for My war, I want more
6.
I will wave my American flag to fan the fire that it's caught in Beg for Armageddon and regulate my own damn ends The fandango's dead for the partygoers in your gasmasks And armed with flamethrowers Their SUV motors are running to catch a ride through the Gates of Hell and prepare their genocide As they hide in the shelter of the wretched womb They have destroyed by their own fucking pride
7.
I cannot stand for it. I am crippled by apathy I'm exempt from your laws, every one a hyperbole Absurdity served to me with a side of unnerving Certainty that you’ve unfurled in tri-colored worshipping
8.
Tree of Woe 01:52
Tearing at my own heart, scraping skin under nails and Blood blacken the light letting down my pale body Eyes darting in anxiety of the loss of control that is about to overtake me Only in extreme deviance of lonely thoughts can I feel energy I will take you away from your life; implant you Holding you still by your shoulders so you can't run away Tearing down walls of missions of equal rights, of racial equality Of anyone knowing anything except me I am not the center of the universe . . . I am the universe God is a whimsical killer of progress A speech impediment and a dying man's last word I do not know organization, chaos, good or evil Illness does not rack my body or my brain. . . I am resolute I will take what I want, leaving my dead soul behind And becoming the only future anyone will ever know
9.
It really ain't the place nor the time To reel off rhyming diction – But yet we’ll write a final rhyme While waiting crucifixion. But we bequeath a parting tip For sound advice of such men, Who come across in transport ship To polish off the Dutchmen. In prison cell I sadly sit, A dammed crestfallen chappie, And own to you I feel a bit – A little bit–unhappy. This is what comes of Empire building. This is what comes of Empire building. This is what comes of Empire building. This is what comes of Empire building. If you encounter any Boers You really must not loot 'em And if you wish to leave these shores, For pity's sake, Don't Shoot 'Em! Let's toss a bumper down our throat, Before we pass to Heaven, And toast: “The trim-set petticoat We leave behind in Devon.” No matter what end they decide – Quick-lime? Or boiling oil? Sir We'll do our best when crucified To finish off in style, sir! And a man's foes shall be They of his own household. And a man’s foes shall be They of his own household.
10.
There is one reality that we are all bound to No matter what you hide behind, it still found you So cower under the lights as an industry Drag Queen We’re naked with the emperor, pathetically sad scene All left to grab strapped to a gurney and stat All that is left is twisted muscle and fat And when we turn back its all fade to black And nothing, but embellished memories are going to last Do I believe in myself or how you believe me to be Tell my confession I am unable to speak Every second melts into days into weeks And I wonder from the smell how much longer I will keep Eggshells crackle underneath my feet And I don't even need to understand my defeat Look over to the crust growing over the street And see that nothing stays together, welcome in the rough beast Where do we go from here, it is better you guess I am not here for answers, no direction or progress What did you leave behind other than waste? What sense of comportment what style and grace How can you qualify anyone’s taste when You traipse through the world like it ends in your wake What do you say when you look in the face Of the next one to carry on your abominable race Did you ever think about slowing your pace Before the bones became as cracked as the lines in your face
11.
Chateau d'If 01:15
Pink botches fading on her neck. There's no protection needed, the only movement is microscopic. And the violating seed, the life it represented is life without need because it’s life without ness, which is total absence indeed. If you had seen what see had seen last, thru the steam of her last gasp with the semen draining from her ass, she saw the studded finger in the grass. The clutch relented, let go, curled around the lace of his boot and his steel toe, his fist twisting a finger, taking whatever that symbol was that she finally knew meant forever.

about

Declaration of Conformity


I am seconds away from imploding and attracting all matter into absence, an everlasting vacuum. No blasts or explosions, it is absolute silence, nothingness, nonexistence, and the opposite of violence. I kill nothing, take nothing away. It just ends- all culture, politics, war, family and friends; all thought, creation, death, information and laws; all you heard, tasted, reasoned and saw. I am the antithesis of love, life, and liberty. I am the reaction, the ultimate revolutionary.


Print name: ___________________________________________


Signature: ___________________________________________

credits

released March 31, 2010

Everything was MADE IN ABEARICA by Bear except where
noted:

Mixed by Steven Rubin at Vanishing Point Studios

Mastered by Devin Ocampo

Tales of the Cupcake
words for verses by William R.
emcee - B~iLL
ending words from Spring Offensive by W. Owen
spoken word - Emily Poole
spoken word was recorded by Emily P. at The BiG
Burrito

Sunday Morning Brunch in Cuba
words by William R.
emcee - B~iLL

The Shaman
words by Katelan Foisy
spoken word - Katelan F.

Bread and Circus
words from Dulce Et Decorum Est Pro Patria Mori by W. Owen
spoken word - B~iLL
vocals recorded by Steven Rubin at Vanishing Point Studios

Semi-Automated Machinery
words by William R.
emcee - B~iLL
guitar solo - Rich Cupolo
guitar solo was recorded by Steven Rubin at Vanishing Point Studios

Skinwalkers on Interstate 10
words by William R.
emcee - B~iLL

27,000 Hours Until Assimilation
words by William R.
spoken word - B~iLL

Tree of Woe
words by Marc Hoffman
spoken word - Sarah H. Paulson

Lunchbox, part II
Music by Bear & Steven Rubin
words from Butchered to Make a Dutchman’s Holiday by H. Morant
spoken word - B~iLL
guitar / piano - Steven R.
vocals, guitar and piano were recorded by Steve R. at Vanishing Point Studios

Oracle of Delphi
words by William R.
emcee - B~iLL
vocals for chorus - Steven Rubin
all vocals were recorded by Steven R. at Vanishing Point Studios

Chateau d’If
words by William R.
spoken word - B~iLL

Art Production - Emily Poole
Photography - Emily Poole

Disc Layout - Kelly Mudge

Music - www.abearica.com
Photos - www.emilypoole.com
Correspondence - mia@MadeInAbearica.com
Copyright 2009

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ABEARICA Brooklyn, New York

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